Home pageTHE SURRE(GION)ALIST MANIFESTOChapter 5.- Nietzschean Anarchy and the Post-Mortem Condition
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Nietzschean Anarchy & the Post-Mortem Condition. Part I

Ill.: Errico BAJ

In a friend one should have one’s best enemy" says Zarathustra [Z168] [1], and Nietzsche certainly proves himself to be the best friend and the best enemy of anarchism. [*]

Even a cursory survey of Nietzsche’s works reveals that the term "anarchist" is for him invariably a term of abuse. He sees anarchism as one of the most baneful expressions of that psychic malaise called ressentiment, and a symptom of modern society’s grave and perhaps terminal illness—destructive nihilism. What better friend could anarchists possibly wish for than this brilliant and uncompromising enemy?

Yet there is beyond, and indeed beneath, Nietzsche’s anarchophobia a Nietzschean Anarchy that is infinitely more anarchistic than the anarchism he assails.

It is nothing like the Nietzschean Anarchy that some recent observers have discovered. We will call these observers "Post-Mortemists" and their view from the crypt "Post-Mortemism." We will call these Post-Mortemists the "Waking Dead," because of their peculiar celebration of death. They find themselves to be "in the wake" of death. They consider their morbid celebration to be "a wake" for the dead. I say none of this in accusation: I only recount what they repeat endlessly about themselves. Ces revenants.

Endlessly. For the spirit of Post-Mortemism is pervaded by a certain kind of repetition compulsion, a fixation on certain images, certain figures of speech, even certain catch phrases (though in fact they catch little). For Nietzsche, "the scholar is the herd animal in the realm of knowledge," one who speaks and thinks as he does "because others have done so before him." [WP 226] The Post-Mortemists, these sheep in wolves’ clothing, are just such herd animals, despite their ferocious exterior, despite their howling, wild enough to wake the dead.

Nietzschean Anarchy is not the Anarchy of Post-Mortem wakes, but rather the Anarchy of the Awakened Mind (a pre-Ancientist idea). The Post-Mortemist wake is the Party of Death. The Nietzschean Anarchist Party is the Party of Life.

We will call the Post-Mortemists the "Anarcho-Cynicalists." Cynicism is the disease of preference of our age, and Nietzsche has the distinction of being one of the first to diagnose its onset. Post-Mortemism is one of the most exotic growths to blossom in the decaying social body. It attacks the reigning cynicism on behalf of a more radical cynicism. The uncharitable Nietzsche would reserve a special contempt for those Post-Mortemists "who lost their high hope" and then "slandered all high hopes" [PN 156] using a borrowed tongue—often, ironically, a tongue borrowed from Nietzsche himself.

For many, Nietzsche is a Post-Mortemist anarchist who inspires the somber celebration of the Death of God. But for us—Pre-Ancientists and Surre(gion)alists—Nietzsche is a Pre-Ancientist anarchist who celebrates the eternal Rebirth of the Gods.

"For us," I say. But what right do we have to claim "Nietzsche" as our own? None at all, and we will not raise a hand if you attempt to carry off this rotten corpse to put it in some museum or reliquary.

Yet we will claim him anyway, justifying this outrage by our full recognition of the multiplicity of Nietzsches. Of course, it is a comonplace that there are as many Nietzsches as there are readers of Nietzsche. But beyond this, there are many Nietzsches within Nietzsche, and within the many Nietzsches. As the philosopher himself comments, there is a chaos within the creative self. And as the phiosophical joker Chuang Tzu told in his Pre-ancient story, brutal interference, however well intended, causes the Body of Chaos (Hun-Tun) to die. We recognize then that we must refrain from violence against the chaotic body—the Body of Nature, the Social Body, the Spiritual Body. We recognize that we can have no knowledge of "self," except as we explore the regions of self, regions that have no clear boundaries of selfhood, which extend deeply beneath the surface of selfhood, and outward beyond the borders of selfhood.

So our present surre(gion)al journey will explore—not "Nietzsche"—but certain Nietzschean regions. Regions that we might call, collectively, Anarchica. You are invited along on this voyage: "Travel to Anarchica and stalk the Cold Monster!"

In our exploration we will be guided by the strict science of Psychogeography. The earliest Psychogeographers discovered that not only does one never step into the same river twice, but that one never arrives at a single source. Whether this be the Source of the Nile, or the Source of Nihilism.

For this reason nothing would be more more pointless than to seek some true Nietzsche who "is" or "is not" an anarchist. A Prof. Basinski (under the influence of Martin "Dr. Death" Heidegger) [2], assures us that Nietzsche never believed in the Will to Power, Eternal Recurrence, and the Übermensch. These were, we are told, no more than metaphysical illusions he created to hide his own nihilism. [3]

Of course Nietzsche didn’t believe in any of it! And the good Prof. Basinski cannot possibily believe any of these silly rumors he’s speading about Nietzsche.

So we forsake the quest for the Promised Land of Nietzsche. There is no compass that could direct us to such a destination. Here as everywhere, Nagarjuna’s radical Awakened-Mind dialectic must be our guide. As we cross the non-existent borders of the Nietzschean regions, we find that we might explore the Nietzsche who is an anarchist, the Nietzsche who is not an anarchist, the Nietzsche who both is and is not an anarchist, and the Nietzsche who neither is nor is not an anarchist. Or more accurately, we might explore the ways in which the many Nietzsches are and are not all of these.

In what follows, we will hear from some of these Nietzsches. [4]

The Antichrist Versus The Anarchist

Bakunin said, "the urge to destroy is a creative urge also." But as Nietzsche pointed out, sometimes the urge to destroy is—let’s face it—an Urge to Destroy.

Of course, Nietzsche is well aware of the truth in Bakunin’s insight. In fact he expressed the same idea much more eloquently than did Bakunin: "The desire for destruction, change and becoming can be an expression of an overflowing energy that is pregnant with future . . . ." [GS 329] So, yes, it can be creative.

"But," he adds, "it can also be the hatred of the ill-constituted, disinherited, and underprivileged, who destroy, must destroy, because what exists, indeed all existence, all being, outrages and provokes them. To understand this feeling, consider our anarchists closely." [GS 329] This is almost touching: "our anarchists." How many philosophers have been willing to claim as their own these oft-scorned stepchildren of politics? Nietzsche does, and even seeks to understand their feelings! What he discovers is that "our anarchists," poor souls that they are, are in the grips of a nihilistic rage against reality.

When he speaks of "our anarchists," Nietzsche has in mind a certain kind of anarchist. His model is not the anarchist who is a fanatic for freedom, but rather the one who is obsessed with injustice. For him, this anarchist is just the extreme type of a certain kind of revolutionary, one who expresses vicerally the revolt of the masses, of the downtrodden, of the "underprivileged." The anarchist is thus the purest and most spiritually contaminated expression of a certain kind of reactivity, the perfect embodiment of reactive revolt. Nietzsche’s stinging charge against such an anarchism is that it is, at its deepest level, reactionary. Reaction is not the exclusive preserve of the right, in Nietzsche’s perceptive analysis.

Though Nietzsche doesn’t hestitate to cast aspersions on the "underprivileged" and their self-ordained champions, his critique is no simplistic defense of "privilege." He can as well as anyone attack and demolish the smug pretensions of the privileged. After all, it is those very "privileged" who overturned the old order of privilege to create the mass society and herd morality that Nietzsche detests so fervently. He sides neither with the established order nor with those who struggle to topple it. For Nietzsche, to paraphrase Bierce, conservatives are those who heroically defend the old absurdities, while "our anarchists" are those who strive mightily to replace them with new ones. His critique is thus a diagnosis of a sensibility rooted in reactivity, ressentiment, and one-sided negativity. Those of "our anarchists" who fall prey to such an insidious sensibility become obsessed with the injustices of the existing world and with their own powerlessness in the face of such evil. They are in effect, the mirror image of those slavish souls who are entranced and corrupted by the awe-inspiring spectacle of power, wealth and privilege. But in the case of our rebellious little anarchists, the spirit is poisoned by an impotent, reactive rage.

It is Nietzsche the Antichrist who savagely attacks the Anarchist, since anarchism for him is a kind of Christianity. He does not, by the way, mean by "Christianity" the spiritually and socially inflamatory teachings of Jesus, which he shows to be ironically negated by the entire history of the Church. He means, rather, the reactive institutional Christianity that retreats into pessimism and nihilism in its utter dissatisfation with the world. Nietzsche’s indictment of Christianity and anarchism ressembles Hegel’s dissection of the "Beautiful Soul." For Hegel, the moral idealist creates a dream world with little connection to ethical reality, the embodiment of good in the actual world. But Nietzsche is much more scathing in his assault on such idealism. The "Beautiful Soul" is for him a quite "Ugly Soul," corrupted by its narrowness and alienation from the truths of experience and the virtues of the world.

If the higher person, the Übermensch, is like a vast sea in which immense evil is diluted and dissolved, the moral purist is a small stagnant puddle, in which the most exalted goodness putrifies. "The Christian and the anarchist: both decadents, both incapable of having any effect other than disintegrating, poisoning, withering, bloodsucking; both the instinct of mortal hatred against everything that stands, that stands in greatness, that has duration, that promises life a future." [A 648] The tragic flaw in both these character-structures results from an identification of the self with an ungrounded, ahistorical ideal. The result is a rage against the the real, in which the most authentic achievements evoke the most intense reactive hostility, since they threaten the necessity of the absolute break with what exists, l’ecart absolu, that has become a psychological necessity.

Nietzsche’s image of the anarchist is inspired by the classical anarchist revolutionary who was the reactive response to the industrializing, accumulative capitalism and the centralizing, bureaucratically expanding nation-state of the 19th century. Yet much of what he says also characterizes—perhaps even better—various strands of Western anarchism that emerged in the 1960’s and which linger on in certain subcultures. Such an anarchism defines itself practically by what it is against. It fumes and fulminates against "all forms of domination," by which it means every one of this fallen world’s institutions and social practices, none of which has any liberatory potential.<

This is the anarchism of permanent protest. The anarchism of militant marginality. The anarchism of sectarian theoretical purity. The anarchism of grand gestures that become increasingly petty and indeed meaningless as they are dissolved in the vast Post-Mortem Ocean of Signifiers. As sophisticated surrealism becomes the stuff of advertising and music videos, and the entire culture lapses into brutal cynicism tinged with irony, all homely gestures of resistance, all sighs on behalf of the oppressed, all "critiques of all forms of domination," all this becomes low-level noise, lost in a din of background noise (The High Deci-bel Epoque). Though if any of it happens to be mildly interesting, it can be recycled as bits and pieces of style.

Nietzsche once pointed out that the interesting question for Kantian ethics is not what actions are necessary according to the Categorical Imperative, but why belief in a Categorical Imperative was so goddam necessary for Kant. Similarly, we might ask why for certain classical anarchists cataclysmic revolution was an absolute necessity, and for certain contemporary anarchists sectarian dogmatism and the politics of permanent protest are a psychological necessity. Why does their spirit (and perhaps their nervous system) crave it so intensely? It has been asserted by some anarchists with evident satisfaction (and many more think it, whether with pride or guilt) that "everything our enemies say about us is true." According to their Manichean worldview, everything these enemies think to be so horrifying is in reality quite wonderful, and to be accused of it should be a source of boundless pride. Such anarchists thus recreate themselves in the reactive image of the reactive image that reactionaries have of them. Rather than negating the negation, they affirm the negation, achieving the bliss of some rather incoherent sort of pure negativity.

The particular anarchists that Nietzsche targets are only one variety of a nihilistic species that includes all kinds of "slanderers, underminers, doubters, destroyers." [WP 26] It is for this reason that he places "anarchism" in a seemingly bizarre list that includes such other symptoms as "celibacy," "sterility," "hystericism," and "alcoholism." [WP 26] [5] Such an anarchism sees nothing but the negative in what is, yearns for revolutionary destruction, and finds hope (or perhaps merely a "principle of hope") only in a post-revolutionary Utopia bearing little connection to anything that actually exists. Such an anarchism is a kind of Left Platonism, taking refuge not in Plato’s Realm of Eternal Forms, but in an equally ghostly and disembodied Realm of Eternal Forms of Freedom.

The critique of anarchism is merely a minor variation on Nietzsche’s major theme of the destuctive nature of all varieties of ressentiment. "This plant," he tells us, "blooms best today among anarchists and anti-Semites," who seek "to sanctify revenge under the name of justice—as if justice were at bottom merely a further development of the feeling of being aggrieved—and to rehabilitate not only revenge but all the reactive affects in general." [BGE 509-510] The wisest old anarchist I ever met once said to me (summing up his philosophy of life): "We deserve the best!" His entire life has been a celebration of as much of this best as we (all of us—no one is excluded from his Anarchist Party) have experienced and created. Yet for every anarchist with such a spirit, I have found many whose whole being proclaims the question, "Why have they done this to me?" Such an anarchist is a walking complaint.

In the 19th century this ressentiment of revolt was embodied above all in Nechaev’s fanatical and murderous nihilism. But it also found expression in the side of Bakunin’s character that drew him so powerfully to Nechaev, the lumpenproletariat, and the brigands, and led him to fantasize vast revolutionary potential in every poorly-organized insurrection. In recent anarchist sectarianism ressentiment reemerges ("with a vengeance," needless to say) in Bookchin’s anarcho-negativism, in which political theory and practice deteriorates into the politics of spleen. [6] The cult of negativity finds its déraison d’etre in ressentiment—not only against "all forms of domination" but against every existing reality. Every practical attempt to transform the conditions of life is condemned as irrelevant, simpleminded, or else some sort of devious reactionary plot. And the more insidious it is, the more seriously it threatens to accomplish some good deemed unattainable according to the dictates of abstract dogmatism.

Post-Mortemists have depicted Nietzsche as the enemy of dialectical thinking. They presume that merely because he demolishes the sophistries and self-delusions of dialecticians that he is somehow anti-dialectical. Yet no one has ever but more teeth into a biting dialectical logic. "Whoever fights monsters should see to it that in the process he does not become a monster. And when you look long into an abyss, the abyss also looks into you." [BGE 279] How many anarchists in their struggle against the state have reproduced a little state within themselves? How many leftists in their crusades against domination have turned themselves into domineering, powerseeking dogmatists? The monster signifies violence, fanaticism in ideas, rigidity of character, contempt for persons—all of which have been reproduced in abundance, even in more extreme forms, in the monster-slayers themselves. The warriors of being fall into the abyss of nihilism. "We are nothing but we shall be all." But out of nothing comes nothing!

Such an affirmation of nothingness (a Bad Infinity, to be distinguished from the Nothingness of Affirmation of Gautame, Böhme, etc.) arises from the propensity to define oneself in relation to that which one is not; in this case the system of power and domination. By defining oneself as powerless, or merely subject to power, one overlooks the marvellous powers that are slumbering within one’s own creative spirit. Just as "power corrupts and absolute power corrupts absolutely," powerlessness corrupts and absolute powerlessness corrupts absolutely. In the case of the oppressed, or, rather those who allow themselves to be defined by the conditions of their oppression, their souls are poisoned by their reactive will to power. Their oppositional perspective comes to absorb their entire being. They are occasionally dangerous but always tiresome lions. The spirit of the child has been entirely extinguished in them. Their creativity, spontaneity, playfulness, and vitality are destroyed.

Nietzsche’s message concerning such anarchist sectarians is the same as his message about all dogmatists, all who wield their truth like a weapon. "Avoid all such unconditional people! They are a poor sick sort, a sort of mob: they look sourly at this life, they have the evil eye for this earth. Avoid all such unconditional people! They have heavy feet and sultry hearts: they do no know how to dance. How should the earth be light for them?" [Z 405-406] In effect, Nietzsche says "If I can’t dance, I don’t want your anarchism!" Such "unconditional" anarchists, despite all their ideological purity, despite their incessant talk of "humanity" and "ecology," cannot love others, and cannot love the earth.

On Monsters Hot and Cold

So Nietzsche proves himself to be anarchism’s best friend and enemy. But his gift to anarchism goes far beyond his amicable hatred. For despite his scathing attacks on anarchists he shows himself to be not only a good friend and a good enemy of all anarchists but also to be a good anarchist.

One of the most distinctive characteristics of anarchism is its voluntarism—its opposition to the imposition of the will of one upon another through force and coercion. And no anarchist has stated the case against coercion more perceptively than has Nietzsche. Coercion is corruptive force, he says. But contrary to the conventional anarchic complaint, its most significant corrupting effect is on the victims, not the perpetrators. "Every power that forbids, that knows how to arouse fear in those to whom something is forbidden, creates a ’bad conscience’ (that is, the desire for something combined with the consciousness of danger in satisfying it, with the necessity for secrecy, for underhandedness, for caution. Every prohibition worsens the character of those who do not submit to it willingly, but only because they are compelled." [WP 391] No wonder some anarchist rhetoricians become discouraged when their ringing condemnation of "all forms of domination" falls on deaf ears. They pay far too much attention to the injustices of the oppressors and to little to the ways in which power has transformed those who are coerced and dominated.

Nietzsche’s imperious questioning of techne also betrays his deeply anarchistic spirit. His critique of technical rationality and technological domination is prophetic. Despite his well-known admiration for some varieties of "will to power," the will to dominate and manipulate nature is the object of his most scornful derision. "Our whole attitude toward nature, the way we violate her with the aid of machines and the heedless inventiveness of our technicians and engineers, is hubris." [BGE 549] He sees that our will to dominate nature inevitably produces a will to dominate human nature also. "[O]ur attitude toward ourselves is hubris, for we experiment with ourselves in a way we would never permit ourselves to experiment with animals and, carried away by curiosity, we cheerfully vivisect our souls . . . ." [BGE 549] Certain impeccably anarchistic but nonetheless simplistic theories onesidedly trace the quest to dominate nature in the actual domination of "human by human," but dogmatically dismiss the roots of social domination in the urge to conquer nature. In reality the relationship between the two dominations is—as Nietzsche, that great anti-dialectical dialectician, grasped quite well—dialectical.

Nietzsche is not only one of the most devastating critics of the state, but also one of the most acurately perceptive analysts of that institution. Few before him were quite so indiscrete in divulging the origins of the state in force, violence and domination. The state, he says, "organized immorality—internally: as police, penal law, classes, commerce, family; externally: as will to power, to war, to conquest, to revenge." [WP 382] He grasps the ironic truth that "law and order" as carried out by the state is in fundamental contradiction with the nature of its subjects. The masses on whose subservience it depends are incapable of either the banal cruelties or the paroxysms of horror that define the monster. "How does it happen that the state will do a host of things that the individual would never countenance?—Through division of responsibility, of command, and of execution. Through the interposition of the virtues of obedience, duty, patriotism, and loyalty. Through upholding pride, severity, strength, hatred, revenge—in short, all typical characteristics that contradict the herd type." [WP 382-383] This is not for Nietzsche a reproach against the state, however, but merely a statement of the brutal truth that the mass of state-worshipers refuse to recognize. "None of you has the courage to kill a man, or even to whip him, or even to—but the tremendous machine of the state overpowers the individual, so he repudiates responsibility for what he does (obedience, oath, etc.)---Everything a man does in the service of the state is contrary to his nature." [WP 383] Here he does no more than taunt the good citizen with the blatant self-deception and hypocrisy on which every state is founded.

There is perhaps no more powerful assault on the state in Western philosophical thought than Zarathustra’s vilification of "The New Idol." There Nietzsche indicts the state for its artificial, coercive, technical-bureaucratic reality that contradicts and undermines what is most valuable in any culture. "State is the name of the coldest of all cold monsters. Coldly it tells lies too, and this lie crawls out of its mouth: ’I, the state, am the people.’" [Z 160] Not only is the state not "the people" it in fact devours the people and all that they have created. State versus people is one of the crucial chapters in the epochal story of the battle between mechanism and organism, between the machine and life. The Artificial Monster ("that great Leviathan . . . that mortal god,") consumes any organic culture:

The state tells lies in all the tongues of good and evil; and whatever it says it lies—and whatever it has it has stolen. Everything about it is false; it bites with stolen teeth, and bites easily. Even its entrails are false. Confusion of tongues of good and evil: this sign I give you as the sign of the state." [Z 161]

All vitality is drained from the living social organism so that the Cold Creature might live. The Monster is a grotesque parasite, a strange Gargantuan vampire, and the people understand this. "Where there is still a people, it does not understand the state and hates it as the evil eye and the sin against customs and rights." [Z 161]

Nietzsche’s diagnosis of the state was still prophetic in the 1880’s, since the the triumphant Monster still had a century to fulfill its deadly destiny before beginning its precipitous decline and decay. His strident indictment sounds rather dated, however, in the era of the new Monster, the corporate Global Golem. "’On earth there is nothing greater than I: the ordering finger of God am I’—thus roars the monster," [Z 161] according to Zarathustra. Today such a roar would be met with laughter, except possibly in some Third-World dictatorship in which the secret police might be watching. For as Nietzsche himself had quite presciently begun to realize, in mass society nothing really seems so "great," and cynicism reigns supreme. The state as "the ordering finger of God?" Ha! In this sad Post-Mortem world, God has given everything the finger.

So the state may be, as Nietzsche says, the Coldest Monster. But now there are cold, hot and even luke-warm Monsters at large. The late modern state, that Post-Mortem Monster, we are coming to discover, is no more than a Lukewarm Monster. Thus it lies only lukewarmly. It could not with a straight face say "I the State am the People." It can, however, half-heartedly tell us that it feels our pain.

The dominion of the great Monster Leviathan has been superceded not by that of the Lukewarm Monster, but by the ascendency of another Beast. One that is neither cold nor luke-warm. It has a rather dark, satanic, and hot interior, but a radiant, divine, and above all cool exterior. It is Moloch, the Monster that eats its young—the Consuming Monster.

Nietzsche in fact realized that mass society would have little place for the old authoritarian state. "Who still wants to rule? Who obey? Both require too much exertion." [Z 130] He is slightly less prophetic on the topic of work, observing that "One still works, for work is a form of entertainment." [Z 130] Under the reign of Moloch few would confuse the two. Today one still works not for amusement but because work is a means toward entertainment. On the other hand, in an ironic reversal of Nietzsche’s aphorism, entertainment has increasingly become a form of work. Just as producers were once taught to feel shame if their work was not up to par, consumers now feel suitably guilty if they are not entertained in the correct manner.

Furthermore, Nietzsche’s true object of attack in his assault on the state is not one particular historical institution but all the forces that are destructive of life. "State I call, it where all drink poison, the good and the wicked; state, where all lose themselves, the good and the wicked; state, where the slow suicide of all is called ’life.’" [Z 162] Nietzsche’s primary target is often statist conformity—the dissolution of individuality into good citizenship, the homogenization of cultural diversity into official state Kultur, the merchanization of life in a techno-bureaucratic world. But he also had strong intimations of where the corporate state was going, that the accent was to fall more on the corporate, the economistic, and less on the state, the political.

What is the color of power today? "Behold the superfluous! They gather riches and become poorer with them. They want power and first the lever of power, much money—the impotent paupers!" says Zarathustra. [Z 162] As I read this passage late one night, I heard someone passing by outside my window, speaking these precise words (for I wrote them down immediately): "It’s not about black and white anymore. It’s about power and domination, and it has no color except . . . ." At this point the voice faded out and I could not hear the final word. I rushed to the door but found no trace of the passer-by. I’ll call the voice, "The Ghost of Nietzsche."

Zarathustra was already on to the message of this Ghost. The progression in his successive tirades against "The New Idol" and "The Flies In The Market Place" prefigures a real historical movement. After warning us about the dangers of the state, Nietzsche cautions us concerning the threat of the developing economistic society. "Where solitude ceases the market place begins; and where the market place begins the noise of the great actors and the buzzing of the poisonous flies begins too." [Z 163] Nietzsche foresees the coming of the society of the spectacle, a world of illusion in which "even the best things amount to nothing without someone to make a show of them." [Z 163] He heralds the coming of those swarms of poisonous flies that now overrun the earth, spreading poison everywhere. They are poisonous indeed! Nietzsche sounds the tocsin for the rising flood of toxins that inundate the world. If we poison the spirit can the corruption of the body be far behind (or vice versa)? As Nietzsche predicted, the masses may have a long life of slow death to look forward to in this poisonous, Post-Mortem world. Perhaps God was lucky to die early and avoid the crowds. Or did he?

Nietzsche may have written the obituary for a certain ancient psychopath who sometimes goes under the alias "God." [7] Yet this same Nietzsche heralds the coming of a new Post-Mortem God. "Verily he [the actor] believes only in gods who make a big noise in the world." [Z 164] The culture of noise, the society of the image, gets the God it needs and deserves. Nietzsche had a prophetic insight into the coming domination of spirit and psyche by the what has with suitable irony been called "the culture industry" (presumably because it produces bacteria). Nietzsche understood with Blake "that All deities reside in the human breast." But he also forsaw the day in which the the gods of pandering and publicizing, the gods of spectacle and sensationalism would supplant the old psychic Pantheon, the divinities of creative energy and wild imaginings.

Nietzsche is quite explicit in his judgment of the market and the society of the image. "Far from the market place and far from fame happens all that is great . . . ." [Z 164] The free market frees the masses from such burdens as creative imagination, spontaneity, depth of the spirit, solitude, playfulness, the joy of the present moment—all that is "great" and good according to the Nietzschean valuation. Freed from these, one is free to pay for everything else.

According to Nietzsche, culture and the state are "antagonists." "One lives off the other, one thrives at the expense of the other. All great ages of culture are ages of political decline: what is great culturally has always been unpolitical, even anti-political." [TI 509] What Nietzsche means, what he perceived so acutely under the Reich, was that culture is the enemy of the "political" in a quite specific sense—it is the enemy of empire and all that is imperial. Greatness of culture is annihilated by empire, whether this empire be political or economic.

Nietzsche is thus once again more anarchistic than the anarchists. It is true that he sounds rather authoritarian in his suggestion that "Genuine philosophers . . . are commanders and legislators" who say "this shall it be!" [BGE 326] Yet what he intends is as anarchic as the dictum of the anarchist poet Shelley in his "Defense of Poetry" that poets are "the unacknowledged legislators of the world." For Nietzsche’s philosophers also rule through their power of creativity. "Their ’knowing’ is creating, their creating is a legislation . . . ." [BGE 326] And he does not mean the philosophers of the academy, but rather the philosopher-poets of the spirit. The question for Niezschean Anarchy is who shall rule: either the masters of the state and of the market, with their heroic will to plunder and destroy, or the creators with their generous will to give birth, their gift-giving virtue.

We shall return to this anarchic Nietzschean question, but first another question concerning another Nietzschean Anarchy.

Continued

 

[1] References to Nietzsche’s works will be indicated in brackets by the abbreviated title and page number. See the bibliography of Nietzsche’s works below for titles and abbreviations.

[*] This text first appeared in Exquisite Corpse #62 (2000)

[2] God(is-Dead)Father of Post-Mortemism.

[3] Journal of Value Inquiry 42:271

[4] The many Nietzsches are often brilliant, witty, satirical, ironic, incisive, analytical, subtle, intelligent, and profound, but not infrequently also superficial, pretentious, heavy-handed, pathetic, petty, fatuous, buffoonish. It would be tempting to turn our surre(gion)al travelogue into “A Tale of Two Nietzsches.” However, we will limit our visit for the most part to “The Best of Nietzsches.” There is, however, “The Worst of Nietzsches,” and this worst can be indeed abysmal. The abysmal Nietzsche emerges for example in a statement, quite appropriately, on the topic of “depth.” A man, he says, “who has depth, in his spirit as well as in his desires . . . must always think about women as Orientals do; he must conceive of woman as a possession, as property that can be locked, as something predestined for service and achieving her perfection in that.” [BGE 357] And savor the exquisite odor of this statement: “We would no more choose the ‘first Christians’ to associate with than Polish Jews—not that one even required any objection to them: they both do not smell good.” [A 625] On Nietzsche as a pretentious buffoon, see Friedrich Nietzsche, Ecce Homo, part two, “Why I am So Clever,” and part five, “Why I am Such an Asshole.”

[5] Bizarre, though to be honest, has there ever been a careful study of anarchist groups to see what proportion of their members are hysterical celibates or sterile alcoholics? Perhaps there is grant money somewhere

[6] Social ecology becomes anti-social egology

[7] Though this still redoutable personnage, apparently thinking that rumors of his demise have been greatly exaggerated, lives on in certain circles in a state of indefinitely suspended senility. Some have accused the devotees of the patriarchal authoritarian God with worshiping a “white male God.” But their God really is a white male. How do we know? As criminologists have pointed out, that’s the exact profile for a serial killer.

Exquisite Corpse, 2003 Copyright © 2007 Max Cafard.